【Amazon.co.jp限定】プーと大人になった僕 MovieNEX オリジナルA3カレンダー付 [Blu-ray]
フォーマット | 限定版 |
コントリビュータ | ジム・カミングス, マーク・ゲイティス, ブロンテ・カーマイケル, マーク・フォースター, ヘイリー・アトウェル, ユアン・マクレガー |
言語 | 日本語 |
稼働時間 | 1 時間 44 分 |
この商品をチェックした人はこんな商品もチェックしています
メーカーによる説明
【Amazon.co.jp限定】プーと大人になった僕 MovieNEX | プーと大人になった僕 MovieNEX | |
---|---|---|
カスタマーレビュー |
5つ星のうち4.5
9,602
|
5つ星のうち4.5
9,602
|
価格 | — | ¥2,920¥2,920 |
ブルーレイ | ✓ | ✓ |
DVD | ✓ | ✓ |
デジタルコピー | ✓ | ✓ |
MovieNEXワールド | ✓ | ✓ |
初回限定仕様 アウターケース | ✓ (初回限定版のみ) | ✓ (初回限定版のみ) |
Amazon.co.jp限定 オリジナルカレンダー | ✓ | なし |
商品の説明
【Amazon.co.jp限定】
Amazon限定のオリジナルカレンダー
カレンダーサイズ:開いたサイズ(縦42cm×横29.7cm)、中綴じ4枚仕様。
プーさんの可愛い絵柄を用いた2ヶ月仕様のカレンダーです。
君と過ごせば、どんな日だって、大好きな日。
『美女と野獣』のディズニーが贈る奇跡の物語
『プーと大人になった僕 MovieNEX』
<ストーリー>
親友のくまのプーや仲間たちと別れてから長い年月が経ち、大人になったクリストファー・ロビンは、日々の仕事に追われ、会社から託された難題と一緒に時間を過ごせない家族との問題に悩んでいた。
そんなクリストファーの前に突然現れたプー。久々の再会に、喜びと懐かしい日々を感じながらも、また仕事に戻らなければならないクリストファーに、「仕事って、ぼくの赤い風船より大事なの?」とプーは問いかける。彼が忘れてしまった本当に「大切なモノ」を届けるために、プーと仲間たちは“100エーカーの森"を飛び出し、彼が家族と住むロンドンへと向うのだが…。
主役のクリストファー・ロビンを、『スター・ウォーズ』シリーズの名優ユアン・マクレガーが演じる。
『美女と野獣』のディズニーが「くまのプーさん」を実写映画化した感動の物語。
<商品内容>
・ブルーレイ 1枚
・DVD 1枚
・デジタルコピー
・MovieNEXワールド
<ボーナス・コンテンツ>
[ブルーレイ]
●製作の舞台裏
-プーへの思い
-プーの声を探して
-ウォルトとプーの出会い
-プーたちの秘密
<初回限定仕様>
・アウターケース
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※商品情報は変更になる場合があります。
登録情報
- 言語 : 日本語
- 製品サイズ : 25 x 2.2 x 18 cm; 220 g
- 監督 : マーク・フォースター
- メディア形式 : 限定版
- 時間 : 1 時間 44 分
- 発売日 : 2018/12/19
- 出演 : ユアン・マクレガー, ヘイリー・アトウェル, ブロンテ・カーマイケル, マーク・ゲイティス, ジム・カミングス
- 字幕: : 日本語, 英語
- 販売元 : ウォルト・ディズニー・ジャパン株式会社
- ASIN : B07KF4P1J6
- ディスク枚数 : 2
- カスタマーレビュー:
イメージ付きのレビュー
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
逆に中学生以下(主観です)子供には難しいですね。
むしろ大人に刺さる名作です。
人生において、本当に大切なものを
見失ってはいけないなと、気づかせて
くれます。
プーさんは、クリストファーロビンが
脇道にそれてしまった時、
ふっと現れて、もう一度大切なものを
思い出させてくれる不思議な存在。
それは、もしかしたら私達の内なる
魂の現れなのかもしれません。
他の国からのトップレビュー
The film's humor is as gentle and warming. It has a way of making adults chuckle at the absurdity of their complex lives through the simple, yet insightful observations of stuffed animals. "Christopher Robin" also gives us a glimpse into what might happen if your childhood toys showed up unannounced. Spoiler: It involves a lot of explaining to do with your family and possibly your boss. Imagine trying to put "Went on an adventure with my childhood stuffed bear" as a reason for your leave of absence!
In essence, this movie is a heartwarming reminder that sometimes, the most important things in life aren't things at all. It's about reconnecting with the joys of your childhood and realizing that it's okay to not have everything figured out. After all, in the wise words of Pooh, "Doing nothing often leads to the very best something." And this movie is definitely a delightful "something" that will leave you smiling, pondering, and maybe, just maybe, checking in on your old stuffed friends.
Details below, under headings: The journey downwards. The journey upwards. Production values. Cast.
THE JOURNEY DOWNWARDS
At first you wonder if the film is for very young children. The first 20 minutes of 'Christopher Robin' ('CR') is sad, and the sadness only deepens. It could feel like a slog for children. The reluctant farewell by Christopher Robin (CR) to the Hundred Acre Wood is the farewell to innocence that growing up involves. CR moves from being a carefree child surrounded by friends (albeit the plush sort), to unhappy public schoolboy, grief-stricken boy bereaved, endangered (?traumatised) wartime soldier. Why include the bereavement at all, or include it but bereave him as a child when in real life A.A. Milne died when CR was 36?
In the film's present-day, CR's an unhappy overworked bullied company employee. His relationship with his young daughter is going downhill. (Disney doesn't depict Madeline with cerebral palsy, as CR's real life daughter Clare had.) CR needs to save that relationship, save his marriage, save his job, even save the jobs of others. By this point, you wonder if 'CR' is for children of any age.
THE JOURNEY UPWARDS
Yet after 20 minutes, 'CR' makes a remarkable leap. The film becomes a series of steps upward. The film hinges (literally) on the magic door between worlds (made charming as of course it's child-sized). Through the door CR reconnects with Pooh and friends, and literally banishes the fog in Pooh's world. There are a lot of laughs, particularly a plush toy romp across London. Amongst it all, Pooh's gentle childlike but perceptive wisdom banishes the metaphorical fog for CR. Your heartstrings will be tugged.
PRODUCTION VALUES
(1) The look of this film is lovely. At first 'CR' had an uphill task with me because I hated seeing Disney change our beloved bear into a cow (type: cash). Disney reduced Winnie-the-Pooh to saccharine mush (and ditched the famous hyphens). Disney's bland American animations trampled how I, and many generations, visualised the characters from the E.H. Shepard drawings. On visits to Ashdown Forest, I determinedly held onto my (now faded) plush Pooh and Piglet, made after Shepard's images. However, in 'CR' I was charmed to see Shepard's drawings - they're beautifully animated, and cleverly used to transition aspects of CR's life.
(2) I'm now a Disney Pooh fan, due to the film's "live" manifestation of Pooh, Piglet, Eeyore, Roo, Kanga, Rabbit, Tigger and Owl. I believe this is the way to go in future along with, or even instead of, the one-dimensional animated drawings.
(3) Good quality period settings. Nostalgically lit: as a child I lived in and visited houses wall-papered the same way, same furniture, and same low-level lighting.
CAST
A good cast. Well done to Ewan McGregor, who successfully makes Christopher Robin look world-weary, put-upon and downcast yet convincingly manages the transformation required. Bronte Carmichael (Madeline) is a delight. Jim Cummings has been Disney Pooh's voice since 1988, so for many he provides nostalgia and continuity. Mark Gatiss (over-rated writer, under-rated actor) gets his teeth into the juicy role of Giles Winslow, and proves that he (Gatiss) has a very mobile expressive face.
2020年8月24日に英国でレビュー済み
Details below, under headings: The journey downwards. The journey upwards. Production values. Cast.
THE JOURNEY DOWNWARDS
At first you wonder if the film is for very young children. The first 20 minutes of 'Christopher Robin' ('CR') is sad, and the sadness only deepens. It could feel like a slog for children. The reluctant farewell by Christopher Robin (CR) to the Hundred Acre Wood is the farewell to innocence that growing up involves. CR moves from being a carefree child surrounded by friends (albeit the plush sort), to unhappy public schoolboy, grief-stricken boy bereaved, endangered (?traumatised) wartime soldier. Why include the bereavement at all, or include it but bereave him as a child when in real life A.A. Milne died when CR was 36?
In the film's present-day, CR's an unhappy overworked bullied company employee. His relationship with his young daughter is going downhill. (Disney doesn't depict Madeline with cerebral palsy, as CR's real life daughter Clare had.) CR needs to save that relationship, save his marriage, save his job, even save the jobs of others. By this point, you wonder if 'CR' is for children of any age.
THE JOURNEY UPWARDS
Yet after 20 minutes, 'CR' makes a remarkable leap. The film becomes a series of steps upward. The film hinges (literally) on the magic door between worlds (made charming as of course it's child-sized). Through the door CR reconnects with Pooh and friends, and literally banishes the fog in Pooh's world. There are a lot of laughs, particularly a plush toy romp across London. Amongst it all, Pooh's gentle childlike but perceptive wisdom banishes the metaphorical fog for CR. Your heartstrings will be tugged.
PRODUCTION VALUES
(1) The look of this film is lovely. At first 'CR' had an uphill task with me because I hated seeing Disney change our beloved bear into a cow (type: cash). Disney reduced Winnie-the-Pooh to saccharine mush (and ditched the famous hyphens). Disney's bland American animations trampled how I, and many generations, visualised the characters from the E.H. Shepard drawings. On visits to Ashdown Forest, I determinedly held onto my (now faded) plush Pooh and Piglet, made after Shepard's images. However, in 'CR' I was charmed to see Shepard's drawings - they're beautifully animated, and cleverly used to transition aspects of CR's life.
(2) I'm now a Disney Pooh fan, due to the film's "live" manifestation of Pooh, Piglet, Eeyore, Roo, Kanga, Rabbit, Tigger and Owl. I believe this is the way to go in future along with, or even instead of, the one-dimensional animated drawings.
(3) Good quality period settings. Nostalgically lit: as a child I lived in and visited houses wall-papered the same way, same furniture, and same low-level lighting.
CAST
A good cast. Well done to Ewan McGregor, who successfully makes Christopher Robin look world-weary, put-upon and downcast yet convincingly manages the transformation required. Bronte Carmichael (Madeline) is a delight. Jim Cummings has been Disney Pooh's voice since 1988, so for many he provides nostalgia and continuity. Mark Gatiss (over-rated writer, under-rated actor) gets his teeth into the juicy role of Giles Winslow, and proves that he (Gatiss) has a very mobile expressive face.