￥4,961 税込
ポイント: 99pt  (2%)  詳細はこちら
無料配送 5月2日-13日にお届け
詳細を見る
残り12点 ご注文はお早めに 在庫状況について
￥￥4,961 () 選択したオプションを含めます。 最初の月の支払いと選択されたオプションが含まれています。 詳細
価格
小計
￥￥4,961
小計
初期支払いの内訳
レジで表示される配送料、配送日、注文合計 (税込)。
出荷元
Grotte　verde
出荷元
Grotte　verde
販売元
Grotte　verde
（467件の評価）
販売元
Grotte　verde
（467件の評価）
支払い方法
お客様情報を保護しています
お客様情報を保護しています
Amazonはお客様のセキュリティとプライバシーの保護に全力で取り組んでいます。Amazonの支払いセキュリティシステムは、送信中にお客様の情報を暗号化します。お客様のクレジットカード情報を出品者と共有することはありません。また、お客様の情報を他者に販売することはありません。 詳細はこちら
支払い方法
お客様情報を保護しています
Amazonはお客様のセキュリティとプライバシーの保護に全力で取り組んでいます。Amazonの支払いセキュリティシステムは、送信中にお客様の情報を暗号化します。お客様のクレジットカード情報を出品者と共有することはありません。また、お客様の情報を他者に販売することはありません。 詳細はこちら
新品 (5)件の出品：
￥4,064  + ￥350 配送料

Thunderbolt and Lightfoot [Blu-ray]

Clint Eastwood (出演), George Kennedy (出演), Michael Cimino (監督) 形式: Blu-ray
4.7 5つ星のうち4.7 1,188個の評価
￥4,961 税込
ポイント: 99pt  (2%)  詳細はこちら
仕様
価格
新品 中古品
Blu-ray 1枚組
￥4,961
￥4,064 —
今すぐ観る レンタル 購入
サンダーボルト — —
{"desktop_buybox_group_1":[{"displayPrice":"￥4,961","priceAmount":4961.00,"currencySymbol":"￥","integerValue":"4,961","decimalSeparator":null,"fractionalValue":null,"symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"EmbMsUE%2BypbkBI%2FGz0mpnL9e94SxUE62lt8wU0mwfI4%2FjmtTkhWoHLxyNVjrSt9QbmxzV%2F3ecodGor1Xasug8oOZQr2lI7aX8bwkA%2FZn%2F%2BVLaaA3RI3ucUiU18sOfktjNPYC1QW%2F5kSdYFsnsjFG2uyQ5n453R252N5831V8QX7ElKsbNILGIP5LfJyVbnif","locale":"ja-JP","buyingOptionType":"NEW","aapiBuyingOptionIndex":0}]}

購入オプションとあわせ買い

ジャンル Action & Adventure
フォーマット Blu-ray, スペシャル・エディション
コントリビュータ Roy Jenson, Catherine Bach, Geoffrey Lewis, Michael Cimino, Clint Eastwood, Jack Dodson, Burton Gilliam, George Kennedy, Eugene Elman, Gary Busey, Jeff Bridges 表示を増やす
言語 英語
映画『オッペンハイマー』関連作品発売中
第96回アカデミー賞®最多7部門受賞したクリストファー・ノーラン監督最新作 『オッペンハイマー』を記念して、クリストファー・ノーラン 監督作、キリアン・マーフィー 出演作など『オッペンハイマー』関連作品をピックアップ。 詳細はこちら

登録情報

  • 言語 ‏ : ‎ 英語
  • 製品サイズ ‏ : ‎ 1.78 x 19.05 x 13.72 cm; 58.97 g
  • EAN ‏ : ‎ 0738329240394
  • 監督 ‏ : ‎ Michael Cimino
  • メディア形式 ‏ : ‎ Blu-ray, スペシャル・エディション
  • 発売日 ‏ : ‎ 2019/11/12
  • 出演 ‏ : ‎ Clint Eastwood, George Kennedy, Jeff Bridges, Geoffrey Lewis, Catherine Bach
  • 販売元 ‏ : ‎ Kl Studio Classics
  • ASIN ‏ : ‎ B07X148VF5
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.7 5つ星のうち4.7 1,188個の評価

カスタマーレビュー

星5つ中4.7つ
5つのうち4.7つ
1,188グローバルレーティング

この商品をレビュー

他のお客様にも意見を伝えましょう
カスタマーレビューを書く

上位レビュー、対象国： 日本

日本からの0件のレビューとお客様による1件の評価があります

他の国からのトップレビュー

すべてのレビューを日本語に翻訳
Rodolfo Durán
5つ星のうち5.0 El debut de Michael Cimino
2023年7月16日にメキシコでレビュー済み
Amazonで購入
Grandiosa película, la primera de Michael Cimino como director y además también como guionista. Jeff Bridges se roba los reflectores con su papel de ladronzuelo novato mientras Clint se consolida como uno de los actores más imponentes en el cine. Pero ahí no acaba la genialidad de la película, Cimino hace gala de su gran ojo y su habilidad para usar el formato anamórfico. Kino Lorber le hace justicia con este Blu ray y edita su primer filme como debe de ser. Peliculón, eso sí, solo para quien sepa leer en inglés porque no tiene subtítulos en español.
レポート
Allen Garfield's #1 fan.
5つ星のうち5.0 Amazing Kino Lorber bluray.
2019年11月15日にアメリカ合衆国でレビュー済み
Amazonで購入
This is truly superior to the over-priced Twilight Time bluray - KL did a bang-up job: 4k scan, extras galore and the price is right.

Aside from the principle cast there's a host of curious cameos:

Claudia Lennear, muse of both Mick Jagger (Brown Sugar) and David Bowie (Big Lady Grinning Soul) and former backup singer for Ike and Tina Turner, Leon Russell and George Harrison. Her celebrated (deservedly so!) Playboy pictorial was inevitably titled "Brown Sugar."

Catherine Bach (Daisy Duke!) and June Fairchild play a pair of floozies. The later had roles in cult classics like Head, Roger Vadim's infamous Pretty Maids All In A Row, Up in Smoke and Tarantino fave Detroit 9000, directed by the great Arthur Marks. The lass on the motorcycle - armed with a hammer - was married to Beach Boy Dennis Wilson and starred in the bizarre classic Unseen (1980). Vic Tayback, Gary Busey, Dub Taylor and so many others make this that much better - no mere walk-on or brand X extras wandering around in the background.

For a film whose climax involves using a cannon to blow a hole through a state-of-the-art safe, Thunderbolt And Lightfoot is heavy on subtlety and suggestion. The 1974 directorial debut of Michael Cimino packs a lot of of subtext into what could have been a standard caper film, albeit one whose final, headlong descent into grimness marked it as a product of its pessimistic era post Vietnam). But even before the film’s finale, it’s filled with nods to changing times and the traumatic effects of recent American history, themes Cimino explored on an operatic scale in his next film, The Deer Hunter. Here, when Thunderbolt And Lightfoot’s heroes arrive at a plaque noting, “The one-room schoolhouse evokes a vision of a vanished America” outside a building that’s been preserved as a landmark, the film doesn’t dwell on the significance, but doesn’t look away from it, either. If America ever had room for the film’s free-spirited criminals, not villains so much as men determined to live outside society’s confines, it doesn’t have room for them now.

A product of Clint Eastwood’s Malpaso Company, which stayed especially busy in the early 1970s, the film stars Eastwood as a man best known as “The Thunderbolt,” a Korean War hero turned criminal turned country parson. After Thunderbolt dodges an attempt on his life by his old partners Red (George Kennedy) and Eddie (Geoffrey Lewis)—who try to gun him down at the pulpit—he hooks up with Lightfoot (Jeff Bridges), a grinning, devil-may-care drifter whose shaggy hair and colorful attire mark him as a member of the next generation after Thunderbolt’s. Together, they float through Montana’s back channels and small towns, stealing cars, picking up women (the aforementioned floozies), and getting to know each other.

This last aspect is one of the film’s most compelling qualities. When Thunderbolt parts ways with Lightfoot early in the film, the look on the younger man’s face is close to heartbreak. He senses that together, they could have had something. When they reunite minutes later, after Thunderbolt spies Red at a bus station, Lightfoot is overwhelmed with joy. Cimino loads the script with hints that the men have feelings for each other they can't quite articulate, and Bridges’ performance—which earned him a Best Supporting Actor nominations—runs with the notion. When the final act requires him to wear a dress to seduce a security guard, a scheme seemingly borrowed from the Bugs Bunny playbook, it seems less like a disguise than a confirmation.

Cimino frames the action against the natural wonder of Montana, making great use of the Panavision frame and letting the natural features dwarf his characters. The stunning cinematography is courtesy of Frank Stanley (Breezy, The Eiger Sanction and Blake Edwards' 10) He also keeps providing reminders that the frontier closed a long time ago. In the film’s rich, funny middle section, Thunderbolt and Lightfoot form an uneasy truce with the vicious Red and the nervous Eddie, and take up day jobs to earn money to fund a robbery. Bridges becomes a landscaper, and one shot of him working on one of the many lawns trailing behind interchangeable suburban houses breaking up the beauty of Big Sky country says more than the dialogue ever could.

The film moves at a leisurely pace, and is all the better for it. Cimino takes his time, letting strange characters, like a madman with a pet raccoon who picks up the hitchhiking Thunderbolt and Lightfoot, have their moment. And he gives the cast plenty of room to explore their characters. Both Kennedy and Lewis turn in colorful performances, but it’s Eastwood and Bridges’ film, and their ill-defined, tender friendship makes the movie. They’re kindred spirits, whatever their differences in age and temperament. But what unites them also makes them misfits in a world that keeps crowding out what it can’t tame. Cimino went on to make Heaven’s Gate, the famously calamitous production about the closing of the West. That film got away from him, but his debut shows he already understood the many small tragedies of that closing’s aftermath.

An American masterpiece - and surely Clint Eastwood's finest hour.
カスタマー画像
Allen Garfield's #1 fan.
5つ星のうち5.0 Amazing Kino Lorber bluray.
2019年11月15日にアメリカ合衆国でレビュー済み
This is truly superior to the over-priced Twilight Time bluray - KL did a bang-up job: 4k scan, extras galore and the price is right.

Aside from the principle cast there's a host of curious cameos:

Claudia Lennear, muse of both Mick Jagger (Brown Sugar) and David Bowie (Big Lady Grinning Soul) and former backup singer for Ike and Tina Turner, Leon Russell and George Harrison. Her celebrated (deservedly so!) Playboy pictorial was inevitably titled "Brown Sugar."

Catherine Bach (Daisy Duke!) and June Fairchild play a pair of floozies. The later had roles in cult classics like Head, Roger Vadim's infamous Pretty Maids All In A Row, Up in Smoke and Tarantino fave Detroit 9000, directed by the great Arthur Marks. The lass on the motorcycle - armed with a hammer - was married to Beach Boy Dennis Wilson and starred in the bizarre classic Unseen (1980). Vic Tayback, Gary Busey, Dub Taylor and so many others make this that much better - no mere walk-on or brand X extras wandering around in the background.

For a film whose climax involves using a cannon to blow a hole through a state-of-the-art safe, Thunderbolt And Lightfoot is heavy on subtlety and suggestion. The 1974 directorial debut of Michael Cimino packs a lot of of subtext into what could have been a standard caper film, albeit one whose final, headlong descent into grimness marked it as a product of its pessimistic era post Vietnam). But even before the film’s finale, it’s filled with nods to changing times and the traumatic effects of recent American history, themes Cimino explored on an operatic scale in his next film, The Deer Hunter. Here, when Thunderbolt And Lightfoot’s heroes arrive at a plaque noting, “The one-room schoolhouse evokes a vision of a vanished America” outside a building that’s been preserved as a landmark, the film doesn’t dwell on the significance, but doesn’t look away from it, either. If America ever had room for the film’s free-spirited criminals, not villains so much as men determined to live outside society’s confines, it doesn’t have room for them now.

A product of Clint Eastwood’s Malpaso Company, which stayed especially busy in the early 1970s, the film stars Eastwood as a man best known as “The Thunderbolt,” a Korean War hero turned criminal turned country parson. After Thunderbolt dodges an attempt on his life by his old partners Red (George Kennedy) and Eddie (Geoffrey Lewis)—who try to gun him down at the pulpit—he hooks up with Lightfoot (Jeff Bridges), a grinning, devil-may-care drifter whose shaggy hair and colorful attire mark him as a member of the next generation after Thunderbolt’s. Together, they float through Montana’s back channels and small towns, stealing cars, picking up women (the aforementioned floozies), and getting to know each other.

This last aspect is one of the film’s most compelling qualities. When Thunderbolt parts ways with Lightfoot early in the film, the look on the younger man’s face is close to heartbreak. He senses that together, they could have had something. When they reunite minutes later, after Thunderbolt spies Red at a bus station, Lightfoot is overwhelmed with joy. Cimino loads the script with hints that the men have feelings for each other they can't quite articulate, and Bridges’ performance—which earned him a Best Supporting Actor nominations—runs with the notion. When the final act requires him to wear a dress to seduce a security guard, a scheme seemingly borrowed from the Bugs Bunny playbook, it seems less like a disguise than a confirmation.

Cimino frames the action against the natural wonder of Montana, making great use of the Panavision frame and letting the natural features dwarf his characters. The stunning cinematography is courtesy of Frank Stanley (Breezy, The Eiger Sanction and Blake Edwards' 10) He also keeps providing reminders that the frontier closed a long time ago. In the film’s rich, funny middle section, Thunderbolt and Lightfoot form an uneasy truce with the vicious Red and the nervous Eddie, and take up day jobs to earn money to fund a robbery. Bridges becomes a landscaper, and one shot of him working on one of the many lawns trailing behind interchangeable suburban houses breaking up the beauty of Big Sky country says more than the dialogue ever could.

The film moves at a leisurely pace, and is all the better for it. Cimino takes his time, letting strange characters, like a madman with a pet raccoon who picks up the hitchhiking Thunderbolt and Lightfoot, have their moment. And he gives the cast plenty of room to explore their characters. Both Kennedy and Lewis turn in colorful performances, but it’s Eastwood and Bridges’ film, and their ill-defined, tender friendship makes the movie. They’re kindred spirits, whatever their differences in age and temperament. But what unites them also makes them misfits in a world that keeps crowding out what it can’t tame. Cimino went on to make Heaven’s Gate, the famously calamitous production about the closing of the West. That film got away from him, but his debut shows he already understood the many small tragedies of that closing’s aftermath.

An American masterpiece - and surely Clint Eastwood's finest hour.
このレビューの画像
カスタマー画像
カスタマー画像
29人のお客様がこれが役に立ったと考えています
 レポート
Amazon Kunde
5つ星のうち1.0 Was ist das bitte? Keine Sprachen, keine Untertitel und miese Bildqualität
2017年3月5日にドイツでレビュー済み
Amazonで購入
Der Film an sich ist genial, keine Frage. Aber von einer Blu-ray hätte ich mir definitiv mehr erwartet.
Es gibt nix ausser den nackten Film in einer bescheidenen Qualität. Das Bild rauscht enorm und wenigstens Untertitel wären zu erwarten.
レポート
Tom Brown
5つ星のうち5.0 Entertaining, well done
2014年5月10日にカナダでレビュー済み
Amazonで購入
This DVD was imported from France, with a Region 2 DVD code. "Small print" warnings in correspondence warned me of that fact but I overlooked it/didn't see it. I am in Canada and require a Region 1 DVD code; however, I am not complaining because I watched the DVD on my computer, with a 21 inch monitor. I probably would have enjoyed it more on my 40 inch TV though. I plan to try modifying my DVD player to run these foreign DVD codes.

This is a good movie, well worth the price and I have no real objections to the codes matter. I would purchase from ABC-Culture/Pestivo again. This DVD was available from Canadian suppliers but I accepted the minor code inconvenience and paid one quarter of the higher/inflated price.
3人のお客様がこれが役に立ったと考えています
 レポート
nostalgie
5つ星のうち5.0 big jim!!!!
2012年2月5日にフランスでレビュー済み
Amazonで購入
bjr' tout dabort un grand merci pour vos ancien films commander chez vous je regarde que des films des annee 50 a 85 meme mon fils jim qui a 6 ans est devenu amateur 'dans tout les cas merci vos ancien films son d'une qualitè super.cordialement est a trs bientot. jim!!!!
1人のお客様がこれが役に立ったと考えています
 レポート